Showing posts with label flask. Show all posts
Showing posts with label flask. Show all posts

Thursday, July 10, 2014

New York Times Article: Collecting Books That Are Just Covers


In tomorrow's New York Times, you will see an article that Eve M. Kahn wrote about my blook collection and on book-objects, in general. I've only just read it and saw that there was only room for two illustrations, so I will devote this post to showing you some of the pictures of and links for the other objects she mentions. I won't get them all in today, so check back later for the rest. Click here to read the article in full. 
These were the titles of the objects Eve mentions by name: Bitter Sweet flask, The Sandwich Islands, Noonday Exercises, The Informer alarm, Right the Wrong by E. Raser, World's Greatest Jokes, by R. U. Laffin, the Chef-an-ette and the Tea caddy/paper theater that broke the bank. Other blooks mentioned have already been illustrated in earlier posts on this blog. See if you can find Not So Dusty, by Y. B. Untidy and Crime Does Not Pay by Dusty Evsky.


Here is the late 18th-centruy tea caddy with a secret compartment for the lock and a paper theater embedded in the lid.



World's Greatest Jokes, by R. U. Laffin, is an electric shock book made by the Franco-American Novelty Co.









Noël Coward's souvenir Bitter Sweet flask, 1930, leather and gilt.Victoria & Albert Museum, no. S.2-1978. 







Noonday Exercises Lunch Box


The Informer. Heath. This link will take you to the Radio Museum site where you can see technical information and images about the Informer. The Informer always makes me chuckle because it is a hidden camera that makes itself very conspicuous, both by its title and the two large circular openings cut into the spine. It seems odd that they went to the trouble of having a real book cover made by a library binder an then cut two large holes in the spine which are very uncharacteristic for books. It would have worked better if the binding was black or the mesh was dark red.


This isn't my Chef-an-ette because I don't have a photo of it on this computer. Mine is the same model, but in black sides. I do very  much like the turquoise. You might also enjoy reading the story about on from someone for which it is a family heirloom. The Chef-an-ette came in a number of binding variants and volumes. I've seen them in 3, 5 and 7 volume variants and in three styles showing a change in taste from Art Deco to 50s modern. The Chef-an-ette was invented by Hazel Terry in 1938, but enjoyed popularity through the 1950s.  In the patent, it was titled Reference Device. It's one of my favorite blooks for so many reasons.


Thursday, June 19, 2014

Hoo Doo That Voo Doo That You Do So Well?



This post features another object from the collection of The Metropolitan Museum of Art (American Decorative Arts) and fortunately, this one is on view for all to see. (The last MMA object posted was the Book Harmonium.) The object record from the Museum's website is below. I'm slightly embarrassed that they don't include the title in the catalog entry, because by some, that could be considered the best part and standard book cataloging practice - especially in this case, as this is one powerful blook! Let me introduce the Hoo Doo Bible in the form of a Bennington Book Flask:

Book flask
United States Pottery Company 
(1852–58)
Date: 1849
Geography: New England, Bennington, Vermont, United States
Culture: American
Medium: Mottled brown earthenware
Dimensions: H. 6 in. (15.2 cm)
Classification: Ceramics
Credit Line: Gift of Mrs. Stanley Herzman, 1984
Accession Number: 1984.395.12
On view in gallery 774

Bennington book flasks have been widely collected and published. They were popular novelty items made in both Rockingham and flint enamel, in many sizes. They frequently have titles impressed on the spine such as: Battle of Bennington, Bennington Ladies, Hermit’s Delight, Suffering and Death, Departed Spirits, Life of Kossuth and many others. All are hefty books with round spines with raised cords, corresponding concave foredges, squares, lines indicating pages on the edges. Some have more details than others, including endbands and tooled lines.