Bruce and Lynn Heckman |
This past Sunday, I had the pleasure of
visiting Bruce and Lynn Heckman to see their remarkable collection of over 1,000 unique,
folk art book objects. This is certainly the largest collection of its kind, certainly larger than mine which is only a little over 500. I was expecting to see a substantial collection of unique
objects, but I was amazed by the breath and beauty of the collection, the
extended show-and-tell viewing and the enthusiastic reception that Lynn and
Bruce gave me. I’m not sure I have yet digested what I have seen, but I don’t
think I will ever forget the wonderful, inspiring day I had with them. I think I'll make another post later to show a few of the blooks I took photos of that particularly interested me.One of many shelves of book-boxes in the Heckman's collection |
Spruce Gum Boxes in the Form of Books
by Bruce and Lynn Heckman
Spruce gum boxes are manifestations of the same impulses that drive the creation of much Folk Art: Love, moral fervor, whimsy, loneliness due to isolation, and an excessive availability of time. The chewing of gum has been going on for 5000 years, since Neolithic times. Spruce gum was excreted by trees in the North Woods of Canada and the U.S. and harvested by lumbermen to put in boxes to bring home to loved ones for their chewing enjoyment. Carving of the boxes spans the 1870's to the 1920's, though some modern examples exist. Modern boxes have a lack of patina that cries out to you after you've handled enough boxes. We think that some boxes with patriotic were produced for the American Centennial of 1876.
Books were the models for almost all spruce gum boxes, though many were made in the form of a barrel. Bookishness is not normally associated with the lumbermen of the North Woods, but the book icon was widely adapted. The book-shaped boxes appeal from the tactile, visual, and historical points of view. Most fit nicely in the hand and were about five inches tall, although some are as small as two and one-half inches and as tall as thirteen inches. Carving varies from the simple to the very intricate. Paint and stains are used, as well as photographs, applied hearts, mirrors, found objects, and colored beeswax. Some boxes have the names of people and places, dates, and sentimental expressions.
Time was abundant in the North Woods and, after a day of felling trees, the nights were occupied with box carving. The design was made, the piece of wood hollowed out from both ends, and slides were made for the top and bottom. The decoration was carved and applied and the boxes sealed with shellac. The heart was the most common decoration and signifies that these objects were created for loved ones at home. Extensive chip carving was used. Anchors, ropes, stars, crosses, tree of life, and geometric shapes were incised or applied.
We have been collecting spruce gum boxes since July 1989. Since then, our collection has grown to approximately one hundred boxes. These are part of a much larger collection of 'blooks' spanning three centuries and many countries. The spruce gum boxes appeal to us for their artistic, sentimental, and
historical aspects. We have enjoyed the collecting hunt and sharing our
collection with interested collectors.
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Maine State Museum Collection |
If readers would like to see and learn more about spruce boxes, the Maine State Museum has very good images and descriptions of the boxes on their online website.
Click here to read an article about spruce gum from Northern Woodlands Magazine.
Click here to read an article about spruce gum from Northern Woodlands Magazine.
Ian Berke recently sent this picture of three source gum boxes he recently saw at the Maine State Museum. |
Amazing book boxes. I remember bidding on that one with the man's profile that is now in that Heckman photo. It is awesome. I don't collect book boxes per se, but rather American folk art sculpture. Sometimes there is a convergence.
ReplyDeleteNot sure if you saw this carving?: http://anonymousworks.blogspot.com/2014/03/19th-century-folk-art-carved-odd.html
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